Related Paintings of unknow artist :. | engelska godsagare hade forlanats jordegendomar pa irland genom konfiskationer som genomforts under elizabeth i james i och cromwell | Classical hunting fox, Equestrian and Beautiful Horses, 037. | Still life floral, all kinds of reality flowers oil painting 67 | Szermentowski | The Seven great prophets |
Related Artists:
Jean Charles Cazin
1841-1901 French Jean Charles Cazin Location Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles. In 1863 he exhibited Recollections of the Dunes of Wissant (untraced), a work based on close observation of the coastline of northern France, at the Salon des Refuses. He enrolled at the Ecole Gratuite de Dessin under Horace Lecoq de Boisbaudran, where he became friends with Alphonse Legros, Thodule Ribot, Henri Fantin-Latour and Leon Lhermitte, all of whom adopted Boisbaudran method of developing paintings from memory as a way of heightening perceptions. During this period Cazin also met Marie Guillet, whom he married in 1868.
Madame Elie
Active in France during the 19the Century
Norbert Goeneutte
1854-1894 French French painter and engraver. In 1871, after working briefly as a lawyer's clerk, he entered the studio of Isidore Pils at the Ecole des Beaux-Arts. When Pils died in 1875 Henri Lehmann took over the studio and Goeneutte left, moving to Montmartre. There he met Auguste Renoir, for whom he often modelled, and Marcellin Desboutin, who inspired his interest in engraving, etching and drypoint. Although Goeneutte was associated with Manet, Degas and Renoir, and his work was influenced by them, for instance in the informality of his compositions, he never exhibited with the Impressionist group, preferring instead the official Salons. Every year from 1876 he exhibited several works in the Paris Salon, such as Boulevard de Clichy under Snow (1876; London, Tate). He visited London in 1880, Rotterdam in 1887 and Venice in 1890.